Richter suggests only a shallow space akin to that of a mirror.
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PIECES 1982 MOVIE ARTWORK SERIES
In a series of completely abstract works of the early 1990s, Richter challenges the eye of the viewer to detect anything in the field of vision other than the pure elements of his art: color, gesture, the layering of pasty materials, and the artist's impersonal raking of these concoctions in various ways that allow chance combinations to emerge from the surface.
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The painting's many layers, strokes, and scrapes of color may thus appear as "beautiful" as anything found in nature that came into existence partly according to a predetermined structure (such as DNA), as well as by way of unpredictable occasions of pure chance and the action of outside forces.
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PIECES 1982 MOVIE ARTWORK FULL
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The Pre-Raphaelite painter John Everett Millais already depicted a similar scene in his work Ophelia (1851-1852). This shot defines the film and is characteristic of Romanticism, a rich artistic period wherein artists capitalised on themes of depression and despondency. After her marriage, Justine (Kirsten Dunst), is plunged into a deep melancholy, overwhelmed by existential thoughts. The most obvious being the poster used to advertise the film. Lars Von Trier concealed a number of artistic references in his film Melancholia (2011).